C\u0259nubi Qafqaz regionunda s\u00fclhy\u00f6n\u00fcml\u00fc kommunikasiya v\u0259 f\u0259aliyy\u0259ti t\u0259bli\u011f etm\u0259k, t\u0259r\u0259fl\u0259r aras\u0131nda g\u0259l\u0259c\u0259ky\u00f6n\u00fcml\u00fc t\u0259r\u0259fda\u015fl\u0131qlar qurma\u011fa \u00e7al\u0131\u015fmaq haz\u0131rda regiona fokuslanan<\/a> bir \u00e7ox t\u0259\u015fkilat\u0131n g\u00fcnd\u0259liyind\u0259 <\/a>yer alan m\u0259qamlardand\u0131r<\/a>. Eyni zamanda C\u0259nubi Qafqaza fokuslanan bir ne\u00e7\u0259 m\u00fcst\u0259qil beyn\u0259lxalq medialar\u0131n da \u0259sas fokuslar\u0131ndan biri<\/a> \u00f6lk\u0259l\u0259r aras\u0131nda anti-konflikt narrativl\u0259rini normalla\u015fd\u0131rmaqd\u0131r.<\/p>\n\n\n\n C\u0259nubi Qafqazda s\u00fclh quruculu\u011fu narrativl\u0259rinin artmas\u0131 m\u00f6vzusunda f\u0259aliyy\u0259t g\u00f6st\u0259r\u0259n media qurumlar\u0131ndan biri \u201cChai Khana\u201d<\/a>d\u0131r. Platforma 2015-ci ild\u0259 media startap\u0131 kimi f\u0259aliyy\u0259t\u0259 ba\u015flay\u0131b<\/a>. Haz\u0131rda Avropa, AB\u015e v\u0259 dig\u0259r \u00f6lk\u0259l\u0259rin t\u0259\u015fkilatlar\u0131 t\u0259r\u0259find\u0259n maliyy\u0259l\u0259\u015f\u0259n<\/a> \u201cChai Khana\u201d m\u00fcharib\u0259, konflikt v\u0259 s\u00fclh m\u00f6vzular\u0131n\u0131 m\u00fcxt\u0259lif perspektivl\u0259rd\u0259n oxuculara v\u0259 izl\u0259yicil\u0259r\u0259 t\u0259qdim edir.<\/p>\n\n\n\n 5 dild\u0259 (ingilis, rus, g\u00fcrc\u00fc, erm\u0259ni v\u0259 az\u0259rbaycanca) f\u0259aliyy\u0259t g\u00f6st\u0259r\u0259n platforman\u0131n m\u00fc\u0259llifl\u0259ri C\u0259nubi Qafqaz regionunda f\u0259aliyy\u0259t g\u00f6st\u0259r\u0259n jurnalist, fotoqraf, yaz\u0131\u00e7\u0131, rejissor, illustratorlar<\/a>dan ibar\u0259tdir. <\/p>\n\n\n\n 2018-ci ild\u0259 \u201cFree Media Awards\u201da layiq g\u00f6r\u00fcl\u0259n<\/a> \u201cChai Khana\u201d media f\u0259aliyy\u0259tini bel\u0259 t\u0259qdim edir<\/a>: \u201cChai Khana g\u0259nc jurnalistl\u0259r\u0259 mentorluq etm\u0259kl\u0259 yana\u015f\u0131, dinamik insany\u00f6n\u00fcml\u00fc hekay\u0259l\u0259r vasit\u0259sil\u0259 regionda az t\u0259msil olunanlara s\u0259s verm\u0259k m\u0259qs\u0259di da\u015f\u0131y\u0131r\u201d<\/em>.<\/p>\n\n\n\n M\u0259hz buna g\u00f6r\u0259 d\u0259 bu ara\u015fd\u0131rma \u201cChai Khana\u201d platformas\u0131n\u0131 \u0259hat\u0259 edib. Yaz\u0131 \u0130kinci Qaraba\u011f m\u00fcharib\u0259si ba\u015flad\u0131\u011f\u0131 g\u00fcnd\u0259n (27 sentyabr, 2020) 2023-c\u00fc ilin noyabr ay\u0131na q\u0259d\u0259r \u201cChai Khana\u201dda Az\u0259rbaycan dilind\u0259 payla\u015f\u0131lm\u0131\u015f m\u00fcharib\u0259, konflikt v\u0259 s\u00fclh m\u00f6vzulu multimedia materiallar\u0131n\u0131<\/a> narrativ analiz \u0259sas\u0131nda t\u0259hlil edib. Ara\u015fd\u0131rma m\u00fcharib\u0259 m\u00f6vzular\u0131na toxunan s\u0259n\u0259dli film, yaz\u0131, foto-esse (multimedia) janr\u0131nda 10 i\u015fi \u0259hat\u0259 edir:<\/p>\n\n\n\n Payla\u015f\u0131lan jurnalistik materiallar i\u00e7\u0259risind\u0259 esse formatl\u0131, emosiya v\u0259 \u015f\u0259xsi hekay\u0259l\u0259r\u0259 \u0259saslanan, x\u00fcsusil\u0259, m\u00fc\u0259llifl\u0259rin subyektiv fikirl\u0259rini \u0259hat\u0259 ed\u0259n yaz\u0131lar\u0131n sonunda redaksiyadan x\u00fcsusi qeyd yaz\u0131l\u0131r: \u201cChai Khana m\u00fcnaqi\u015f\u0259nin h\u0259r iki t\u0259r\u0259find\u0259ki icmalar\u0131n fikir v\u0259 hissl\u0259rin\u0259 h\u00f6rm\u0259tl\u0259 yana\u015f\u0131r. Esse m\u00fc\u0259llifl\u0259rinin fikirl\u0259ri il\u0259 raz\u0131la\u015fmayan oxucular ola bil\u0259c\u0259yini ba\u015fa d\u00fc\u015f\u00fcr\u00fck. Biz \u00fcmid edirik ki, jurnalistl\u0259r\u0259 bu \u00e7\u0259tin anlarda ya\u015fad\u0131qlar\u0131 bar\u0259d\u0259 d\u00fcr\u00fcst yazmaq \u00fc\u00e7\u00fcn bir platforma ver\u0259r\u0259k t\u0259r\u0259fl\u0259r aras\u0131nda dialoq qurma\u011fa k\u00f6m\u0259k ed\u0259c\u0259yik\u201d.<\/em><\/p>\n\n\n\n Narrativ analiz \u00e7\u0259r\u00e7iv\u0259sind\u0259 10 yaz\u0131n\u0131n q\u0259hr\u0259manlar\u0131, ssenarisi, yaxud \u00fcmumi qurulu\u015fu, toxundu\u011fu \u0259sas m\u00f6vzular v\u0259 c\u0259miyy\u0259t daxilind\u0259 hans\u0131 narrativl\u0259ri t\u0259bli\u011f etdiyi il\u0259 ba\u011fl\u0131 analiz apar\u0131l\u0131b.<\/p>\n\n\n\n Analiz \u201cm\u00fchacir yana\u015fmas\u0131\u201d, \u201ckimlik b\u00f6hran\u0131\u201d, \u201cm\u0259cburi k\u00f6\u00e7k\u00fcn v\u0259 s\u0259rh\u0259dyan\u0131 \u0259razi sakinl\u0259ri\u201d, \u201ckollektiv travmalar\u201d yar\u0131mba\u015fl\u0131qlar\u0131 \u015f\u0259klind\u0259 t\u0259qdim olunub.<\/p>\n\n\n\n Xaricd\u0259 ya\u015fayan az\u0259rbaycanl\u0131lar\u0131n m\u00fcharib\u0259 il\u0259 \u0259laq\u0259li d\u00fc\u015f\u00fcnc\u0259l\u0259ri m\u00fcxt\u0259lifdir. Yaz\u0131 q\u0259hr\u0259manlar\u0131ndan biri onlayn f\u0259aliyy\u0259tini davam etdirir v\u0259 bu m\u00f6vzuda diskurslar yarad\u0131r, dig\u0259ri is\u0259 \u0259yani \u015f\u0259kild\u0259 m\u00fcharib\u0259nin f\u0259sadlar\u0131n\u0131 aradan qald\u0131rma\u011fa \u00e7al\u0131\u015f\u0131r.<\/p>\n\n\n\n Bel\u0259 ki \u201cUzaqdak\u0131 m\u00fcharib\u0259<\/a>\u201d yaz\u0131s\u0131nda m\u00fchacir\u0259td\u0259 ya\u015fayan esse m\u00fc\u0259llifi (h\u0259m d\u0259 yaz\u0131n\u0131n \u0259sas obraz\u0131) s\u00fclh quruculu\u011funa qar\u015f\u0131 yaranan t\u0259hdidl\u0259r v\u0259 m\u00fcharib\u0259 \u0259r\u0259f\u0259sind\u0259 onlayn payla\u015f\u0131mlara edil\u0259n t\u0259zyiql\u0259rd\u0259n narahatd\u0131r: <\/p>\n\n\n\n \u201cAil\u0259m \u00fc\u00e7\u00fcn narahatl\u0131q ke\u00e7irirdim, (anamla kommunikasiya qura bilm\u0259k yaln\u0131z d\u00f6rd g\u00fcnd\u0259n sonra m\u00fcmk\u00fcn oldu), bundan ba\u015fqa, g\u0259rgin informasiya m\u00fcharib\u0259sinin dost-tan\u0131\u015f\u0131m \u00fcz\u0259rind\u0259ki birba\u015fa t\u0259siri getdikc\u0259 m\u0259ni t\u0259\u015fvi\u015f\u0259 sal\u0131rd\u0131. Dey\u0259s\u0259n, h\u0259r iki \u00f6lk\u0259d\u0259ki m\u00fct\u0259r\u0259qqi icmalar nifr\u0259t nitqi v\u0259 dezinformasiyaya t\u0259slim olduqca mill\u0259t\u00e7ilik alovlar\u0131 g\u00fcll\u0259 kimi tez yay\u0131l\u0131rd\u0131\u201d.<\/em><\/p>\n\n\n\n \u201cM\u00fcharib\u0259 bir h\u0259kimin g\u00f6z\u00fc il\u0259<\/a>\u201d foto-essesi is\u0259 20 ildir T\u00fcrkiy\u0259d\u0259 ya\u015fayan h\u0259kimin i\u015find\u0259n ayr\u0131l\u0131b d\u00f6y\u00fc\u015f b\u00f6lg\u0259sin\u0259 g\u0259lm\u0259yind\u0259n dan\u0131\u015f\u0131r. O, m\u0259cburi k\u00f6\u00e7k\u00fcnl\u0259rd\u0259n biri kimi, ill\u0259r sonra n\u00f6vb\u0259ti Qaraba\u011f m\u00fcharib\u0259sind\u0259 k\u00f6n\u00fcll\u00fc h\u0259kimdir, lakin m\u00fcharib\u0259 haqq\u0131nda d\u00fc\u015f\u00fcnc\u0259l\u0259ri \u0259n\u0259n\u0259vi deyil. O, h\u0259mya\u015f\u0131dlar\u0131ndan f\u0259rqli olaraq, m\u00fcharib\u0259ni h\u0259ll yolu olaraq g\u00f6rm\u00fcr, h\u0259tta m\u00fcharib\u0259nin da\u011f\u0131d\u0131c\u0131 t\u0259sirind\u0259n x\u0259b\u0259rdard\u0131r v\u0259 h\u0259r iki mill\u0259tin b\u0259nz\u0259r d\u0259y\u0259rl\u0259ri oldu\u011funa inan\u0131r:<\/p>\n\n\n\n \u201cBizim m\u00fcharib\u0259y\u0259 ehtiyac\u0131m\u0131z yox idi. H\u0259m Erm\u0259nistanda, h\u0259m Az\u0259rbaycanda i\u00e7-i\u00e7\u0259 ya\u015fay\u0131rd\u0131q, onlar\u0131n biz\u0259, bizim onlara i\u015fimiz d\u00fc\u015f\u00fcrd\u00fc. Ancaq m\u00fcharib\u0259 olmasayd\u0131, h\u0259r iki \u00f6lk\u0259 \u00e7ox daha z\u0259ngin, daha m\u00fck\u0259mm\u0259l v\u0259ziyy\u0259td\u0259ydi, birg\u0259 n\u0259 q\u0259d\u0259r g\u00f6z\u0259l i\u015fl\u0259r g\u00f6r\u0259 bil\u0259rdik\u201d.<\/em><\/p>\n\n\n\n Kimlik problemi, ad\u0259t\u0259n, ya\u015fad\u0131\u011f\u0131 stresli hadis\u0259l\u0259r n\u0259tic\u0259sind\u0259 d\u0259y\u0259rl\u0259rinin toqqu\u015fdu\u011fu \u015f\u0259xsl\u0259rd\u0259 m\u00fc\u015fahid\u0259 olunur<\/a>. M\u00fcharib\u0259 s\u0259b\u0259bil\u0259 h\u0259yat\u0131nda ciddi d\u0259yi\u015fiklikl\u0259r ba\u015f vermi\u015f (i\u015find\u0259n ayr\u0131lm\u0131\u015f, ya\u015fad\u0131\u011f\u0131 \u0259razini d\u0259yi\u015fmi\u015f) q\u0259hr\u0259manlar\u0131n verdiyi reaksiyalarda da bir ortaq n\u00fcans n\u0259z\u0259r\u0259 \u00e7arp\u0131r – onlar ya\u015fad\u0131qlar\u0131 hadis\u0259l\u0259r\u0259 nec\u0259 v\u0259 kim olaraq yana\u015fmal\u0131 olduqlar\u0131 bar\u0259d\u0259 q\u0259rars\u0131z qal\u0131rlar.<\/p>\n\n\n\n M\u00fc\u0259llif G\u00fcl\u0259r Mehdizad\u0259 \u201cC\u0259bh\u0259d\u0259 bir h\u0259ft\u0259<\/a>\u201d essesind\u0259 ke\u00e7mi\u015f hissl\u0259rl\u0259 yeni hadis\u0259l\u0259r\u0259 nec\u0259 reaksiya ver\u0259c\u0259yini v\u0259 hans\u0131 kimliyi il\u0259 yana\u015faca\u011f\u0131n\u0131 bilmir. H\u0259m\u00e7inin essenin ba\u015f q\u0259hr\u0259man\u0131 olan m\u00fc\u0259llif yaranan yeni hissl\u0259rini c\u0259miyy\u0259t t\u0259zyiqi s\u0259b\u0259bil\u0259 s\u0259sl\u0259ndir\u0259 bilmir. Bu is\u0259 onun daxilind\u0259ki m\u0259n\u0259vi \u00e7axna\u015fman\u0131 art\u0131r\u0131r, kimliyi il\u0259 ba\u011fl\u0131 ver\u0259c\u0259yi q\u0259rarlarda yeni \u015f\u00fcbh\u0259l\u0259r yarad\u0131r.<\/p>\n\n\n\n \u201c\u00c7\u0259kili\u015f qrupumuzla bir g\u00fcn sonra s\u0259h\u0259r tezd\u0259n azad edil\u0259n k\u0259ndl\u0259rin sakinl\u0259rini axtarma\u011fa ba\u015flad\u0131q. Onlara n\u0259 hiss etdikl\u0259rini soru\u015furdum. \u018fslind\u0259 is\u0259 bir n\u00f6v \u00f6z\u00fcm\u00fcn nec\u0259 hiss etdiyimi onlar\u0131n cavablar\u0131nda axtar\u0131rd\u0131m. H\u0259r cavab ver\u0259nd\u0259 diqq\u0259t k\u0259silirdim, ifad\u0259 etdikl\u0259ri s\u00f6zl\u0259r m\u0259n\u0259 tan\u0131\u015fd\u0131, ya yox. M\u0259n nec\u0259 hiss edir\u0259m? \u0130\u00e7imd\u0259n cavab g\u0259lmirdi… Jurnalist kimliyiml\u0259 qaraba\u011fl\u0131 kimliyimin aras\u0131nda qalm\u0131\u015fd\u0131m\u2026\u201d<\/em><\/p>\n\n\n\n M\u00fcharib\u0259nin yaratd\u0131\u011f\u0131 b\u00f6hranlardan \u0259ziyy\u0259t \u00e7\u0259k\u0259n bir dig\u0259r q\u0259hr\u0259man is\u0259 \u201cC\u0259bh\u0259d\u0259n foto-g\u00fcnd\u0259lik<\/a>\u201din m\u00fc\u0259llifi \u018fziz K\u0259rimovdur. O, h\u0259m m\u0259s\u0259l\u0259y\u0259 yana\u015fmal\u0131 oldu\u011fu kimlik bar\u0259d\u0259 q\u0259rars\u0131z deyil, h\u0259m d\u0259 kimliyind\u0259 olan d\u0259yi\u015fiklikl\u0259rd\u0259n x\u0259b\u0259rdard\u0131r. Bununla yana\u015f\u0131, o, bu prosesin q\u0131sa m\u00fcdd\u0259td\u0259 ba\u015f tutmayaca\u011f\u0131n\u0131n da f\u0259rqind\u0259dir.<\/p>\n\n\n\n \u201cF\u0259rq etmir s\u0259n burda qalibs\u0259n, ya yox. Ona g\u00f6r\u0259 d\u00fc\u015f\u00fcn\u00fcr\u0259m ki, m\u00fcharib\u0259nin f\u0259sadlar\u0131 m\u00fcharib\u0259nin \u00f6z\u00fcnd\u0259n daha d\u0259h\u015f\u0259tli olacaq. Y\u0259qin ki, \u00f6n c\u0259bh\u0259d\u0259ki son bir ayl\u0131q t\u0259cr\u00fcb\u0259min n\u0259 dem\u0259k oldu\u011funu bir m\u00fcdd\u0259t sonra daha yax\u015f\u0131 ba\u015fa d\u00fc\u015f\u0259c\u0259y\u0259m\u201d.<\/em><\/p>\n\n\n\n S\u0259rh\u0259dyan\u0131 b\u00f6lg\u0259d\u0259n Bak\u0131ya k\u00f6\u00e7m\u00fc\u015f ail\u0259nin m\u00fcharib\u0259 \u0259snas\u0131nda ya\u015fay\u0131\u015f\u0131n\u0131, hadis\u0259l\u0259rin h\u0259yatlar\u0131nda yaratd\u0131\u011f\u0131 d\u0259yi\u015fiklikl\u0259ri v\u0259 b\u0259zi m\u0259qamlarda \u00f6l\u00fcm qorxusunu \u201cBoz t\u0259r\u0259f<\/a>\u201d s\u0259n\u0259dli filmi vasit\u0259sil\u0259 izl\u0259yirik. “K\u0259ndd\u0259 v\u0259ziyy\u0259t n\u0259t\u0259rdi? At\u0131b-el\u0259m\u0259yibl\u0259r?” v\u0259 “2000 \u015f\u0259hid\u0259 d\u0259yirmi rayon, k\u0259ndl\u0259r?” <\/em>kimi suallar yeni diskurslar yarad\u0131r. M\u00fcharib\u0259 s\u0259b\u0259bil\u0259 evl\u0259rini t\u0259rk etmi\u015f ail\u0259nin \u00f6vladlar\u0131 t\u0259hsild\u0259n yay\u0131n\u0131b, emosional olaraq a\u011f\u0131rl\u0131q hiss edir, valideynl\u0259rind\u0259n ayr\u0131 d\u00fc\u015f\u00fcbl\u0259r. Lakin onlar h\u0259l\u0259 d\u0259 k\u0259ndl\u0259rin\u0259 geri qay\u0131tmaq ist\u0259yirl\u0259r. <\/p>\n\n\n\n \u201c\u0130ki m\u00fcharib\u0259d\u0259n sonra \u201cyerlil\u0259r v\u0259 g\u0259lm\u0259l\u0259r\u201d<\/a>\u201d m\u0259qal\u0259si Birinci Qaraba\u011f m\u00fcharib\u0259sind\u0259n sonra 30 il\u0259 yax\u0131n m\u00fcdd\u0259td\u0259 \u0259traf ya\u015fay\u0131\u015f m\u0259nt\u0259q\u0259l\u0259rin\u0259 s\u0131\u011f\u0131nan k\u00f6\u00e7k\u00fcn az\u0259rbaycanl\u0131lar\u0131n ya\u015fad\u0131qlar\u0131 kollektiv travmalara i\u015f\u0131q sal\u0131r. Samir Qas\u0131mov kimi m\u0259cburi k\u00f6\u00e7k\u00fcnl\u0259r m\u00fcv\u0259qq\u0259ti m\u0259skunla\u015fmalarda \u00fczl\u0259\u015fdikl\u0259ri m\u00fcbariz\u0259ni, yoxsulluq v\u0259 sosial t\u0259crid olunmalar\u0131n\u0131 dan\u0131\u015f\u0131rlar. \u201cQa\u00e7q\u0131nlar\u201d ifad\u0259si ayr\u0131-se\u00e7kiliyi daha da q\u0131z\u0131\u015fd\u0131ran etiket\u0259 \u00e7evrilib, k\u00f6\u00e7k\u00fcn az\u0259rbaycanl\u0131lar h\u0259mv\u0259t\u0259nl\u0259rinin ayr\u0131-se\u00e7kiliyi v\u0259 al\u00e7ald\u0131c\u0131 ifad\u0259l\u0259ri il\u0259 \u00fczl\u0259\u015fibl\u0259r. K\u00f6\u00e7k\u00fcnl\u0259r\u0259 qar\u015f\u0131 ayr\u0131-se\u00e7kilik xarakterli yaz\u0131lar zamanla stereotipl\u0259rin formala\u015fd\u0131\u011f\u0131 m\u00fcr\u0259kk\u0259b ictimai t\u0259kam\u00fcl\u00fc \u0259ks etdirir.<\/p>\n\n\n\n \u201cQ\u0131z\u0131lbal\u0131q \u00fc\u00e7\u00fcn bir ne\u00e7\u0259 arzu v\u0259 dig\u0259r \u0259dviyyatlar<\/a>\u201d s\u0259n\u0259dli filmi rejissorun m\u00fcharib\u0259 x\u0259b\u0259rl\u0259rind\u0259n uzaqla\u015fmaq ist\u0259yinin m\u0259hsulu olsa da, o, x\u0259b\u0259rl\u0259rl\u0259 bal\u0131q\u00e7\u0131larla s\u00f6hb\u0259ti \u0259snas\u0131nda da rastla\u015f\u0131r. G\u00fcn\u00fcn\u00fc bal\u0131q\u00e7\u0131l\u0131qla ke\u00e7ir\u0259n ki\u015fil\u0259rd\u0259n al\u0131nan m\u00fcsahib\u0259l\u0259rd\u0259 kollektiv travma izl\u0259rini g\u00f6rm\u0259k m\u00fcmk\u00fcnd\u00fcr. Onlar g\u0259l\u0259n z\u0259ngl\u0259 \u00f6l\u00fcm x\u0259b\u0259ri ald\u0131qca qar\u015f\u0131 t\u0259r\u0259f\u0259 nifr\u0259t etm\u0259y\u0259 davam edir, lakin h\u0259m d\u0259 s\u00fclh ist\u0259yirl\u0259r: “Ham\u0131 sa\u011f olsun, s\u00fclh olsun, n\u0259v\u0259l\u0259rimiz g\u00f6z\u0259l g\u00fcnl\u0259r g\u00f6rs\u00fcn”, “arzum odur ki, m\u00fcharib\u0259 bizim q\u0259l\u0259b\u0259mizl\u0259 qurtars\u0131n. Mehriban\u00e7\u0131l\u0131q olsun”<\/em>, v\u0259 “Probleml\u0259ri h\u0259ll etm\u0259liyik ki, n\u0259v\u0259l\u0259rimiz sakitc\u0259 ya\u015faya bilsin”<\/em> c\u00fcml\u0259l\u0259ri kollektiv travmalardan bezginliyi ifad\u0259 edir.<\/p>\n\n\n\n Sakit dinamikaya \u00fcst\u00fcnl\u00fck ver\u0259n \u201cBoz t\u0259r\u0259f<\/a>\u201d s\u0259n\u0259dli filmi n\u0259sill\u0259r aras\u0131nda f\u0259rqlilikl\u0259ri g\u00f6st\u0259rir. 40-50 ya\u015fl\u0131 n\u0259sild\u0259 dar\u0131xma, nostalgiya, q\u00fcrur hissi \u00f6z\u00fcn\u00fc biruz\u0259 ver\u0259rk\u0259n, h\u0259m d\u0259 az\u0259rbaycanl\u0131 – erm\u0259ni m\u00fcqayis\u0259si edilir. G\u0259nc-ya\u015fl\u0131 n\u0259sil aras\u0131nda m\u00fcharib\u0259 m\u00f6vzusunda m\u00fcbahis\u0259l\u0259r d\u0259 m\u00fc\u015fahid\u0259 edilir.<\/p>\n\n\n\n \u201cAz\u0259rbaycan-Erm\u0259nistan d\u0259miryolu: \u00fcmid v\u0259 \u015f\u00fcbh\u0259l\u0259r<\/a>\u201d m\u0259qal\u0259sind\u0259 Erm\u0259nistan v\u0259 Az\u0259rbaycanda ya\u015fayan iki \u015f\u0259xsin tarixi m\u00fcnaqi\u015f\u0259 n\u0259tic\u0259sind\u0259 ya\u015fad\u0131qlar\u0131 kollektiv travmalar v\u0259 30 ild\u0259n sonra iki \u00f6lk\u0259 aras\u0131nda d\u0259mir yolu da\u015f\u0131malar\u0131n\u0131n potensial b\u0259rpas\u0131 t\u0259svir edilir. M\u0259qal\u0259 erm\u0259ni v\u0259 az\u0259rbaycanl\u0131 qatar ma\u015finistl\u0259rinin ortaq Sovet ke\u00e7mi\u015fini, iki \u00f6lk\u0259 aras\u0131nda dinc birg\u0259ya\u015fay\u0131\u015f v\u0259 qar\u015f\u0131l\u0131ql\u0131 iqtisadi as\u0131l\u0131l\u0131q d\u00f6vr\u00fcn\u00fc \u0259ks etdirir. 1988-ci il hadis\u0259l\u0259ri sonras\u0131 zorak\u0131l\u0131\u011fa ke\u00e7id d\u00f6vr\u00fcn\u0259 \u015fahid olmu\u015f insanlar\u0131n fikrin\u0259 t\u0259sir ed\u0259n m\u0259qamlar da ortaya qoyulur. H\u0259r iki t\u0259r\u0259fd\u0259 fikirl\u0259r d\u0259yi\u015fir, stereotipl\u0259r yaran\u0131r, qar\u015f\u0131l\u0131ql\u0131 inams\u0131zl\u0131q formala\u015f\u0131r. Hekay\u0259 siyasi irad\u0259nin kritik rolunu, skeptisizm v\u0259 nikbinlik aras\u0131nda inc\u0259 tarazl\u0131\u011f\u0131 vur\u011fulayaraq \u00fc\u00e7\u00fcnc\u00fc t\u0259r\u0259fin t\u0259hl\u00fck\u0259sizlik z\u0259man\u0259tin\u0259 ciddi ehtiyac oldu\u011funu da ortaya \u00e7\u0131xar\u0131r.<\/p>\n\n\n\n G\u00fclay v\u0259 Ayb\u0259nizin t\u0259sirli hekay\u0259l\u0259rini ara\u015fd\u0131ran \u201cX\u0259yallarda bir anl\u0131q g\u00f6r\u00fc\u015f<\/a>\u201d s\u0259n\u0259dli filmi m\u00fcnaqi\u015f\u0259d\u0259n sonra qad\u0131nlar\u0131n ya\u015fad\u0131qlar\u0131 kollektiv travmadan b\u0259hs edir. H\u0259yat\u0131n\u0131 itirmi\u015f \u0259sg\u0259rl\u0259rin h\u0259yat yolda\u015flar\u0131n\u0131n \u00fczl\u0259\u015fdiyi sosial v\u0259 m\u0259d\u0259ni t\u0259sirl\u0259r, yenid\u0259n evl\u0259nm\u0259y\u0259 qar\u015f\u0131 m\u00fcnasib\u0259tl\u0259ri v\u0259 \u00e7\u0259tinlikl\u0259ri t\u0259svir edilib. G\u00fclay\u0131n h\u0259yat yolda\u015f\u0131n\u0131 2020-ci ild\u0259ki h\u0259rbi \u0259m\u0259liyyatlarda itirm\u0259si v\u0259 Ayb\u0259nizin 30 il \u0259vv\u0259l itkin d\u00fc\u015fm\u00fc\u015f h\u0259yat yolda\u015f\u0131n\u0131n hekay\u0259sin\u0259 vur\u011fu bu travman\u0131 \u0259trafl\u0131 anlama\u011fa imkan yarad\u0131r. S\u0259n\u0259dli film m\u00fcnaqi\u015f\u0259nin qad\u0131nlara, \u015f\u0259xsiyy\u0259tl\u0259rin\u0259 v\u0259 t\u0259cr\u00fcb\u0259l\u0259rini formala\u015fd\u0131ran m\u00fcr\u0259kk\u0259b sosial dinamikaya davaml\u0131 t\u0259sirini ortaya qoyur.<\/p>\n\n\n\n Analiz olunmu\u015f 10 multimedia material\u0131nda t\u0259krarlanan v\u0259 n\u0259z\u0259r\u0259 \u00e7arpan m\u00f6vzular, \u0259lb\u0259tt\u0259, m\u00fcharib\u0259 v\u0259 konfliktl\u0259 birba\u015fa \u0259laq\u0259lidir. Bel\u0259 ki, m\u00fcharib\u0259nin s\u0131ravi v\u0259t\u0259nda\u015flara vurdu\u011fu m\u0259n\u0259vi v\u0259 fiziki z\u0259r\u0259rl\u0259r, yaratd\u0131\u011f\u0131 kollektiv travmalar yaz\u0131lar\u0131n emosional olaraq fokusland\u0131\u011f\u0131 t\u0259r\u0259fl\u0259rdir. Bununla yana\u015f\u0131, materiallar m\u0259cburi k\u00f6\u00e7k\u00fcnl\u00fck v\u0259 s\u0259rh\u0259dyan\u0131 b\u00f6lg\u0259l\u0259rd\u0259 ya\u015fayan ail\u0259l\u0259rin qar\u015f\u0131la\u015fd\u0131\u011f\u0131 probleml\u0259ri \u0259hat\u0259 edir.<\/p>\n\n\n\n \u201cChai Khana\u201dn\u0131n az\u0259rbaycanl\u0131 auditoriya \u00fc\u00e7\u00fcn payla\u015fd\u0131\u011f\u0131 media materiallarda m\u00fcharib\u0259 v\u0259 konfliktin neqativ t\u0259r\u0259fl\u0259ri i\u015f\u0131qland\u0131r\u0131l\u0131r v\u0259 s\u00fclh narrativl\u0259rinin yaranmas\u0131 \u00fc\u00e7\u00fcn baza yarad\u0131l\u0131r.<\/p>\n\n\n\n M\u0259nb\u0259l\u0259r:<\/em><\/strong><\/p>\n\n\n\n <\/p>\n","protected":false},"excerpt":{"rendered":" C\u0259nubi Qafqaz regionunda s\u00fclhy\u00f6n\u00fcml\u00fc kommunikasiya v\u0259 f\u0259aliyy\u0259ti t\u0259bli\u011f etm\u0259k, t\u0259r\u0259fl\u0259r aras\u0131nda g\u0259l\u0259c\u0259ky\u00f6n\u00fcml\u00fc t\u0259r\u0259fda\u015fl\u0131qlar qurma\u011fa \u00e7al\u0131\u015fmaq haz\u0131rda regiona fokuslanan bir \u00e7ox t\u0259\u015fkilat\u0131n g\u00fcnd\u0259liyind\u0259 yer alan m\u0259qamlardand\u0131r. Eyni zamanda C\u0259nubi Qafqaza fokuslanan bir ne\u00e7\u0259 m\u00fcst\u0259qil beyn\u0259lxalq medialar\u0131n da \u0259sas fokuslar\u0131ndan biri \u00f6lk\u0259l\u0259r aras\u0131nda anti-konflikt narrativl\u0259rini normalla\u015fd\u0131rmaqd\u0131r. C\u0259nubi Qafqazda s\u00fclh quruculu\u011fu narrativl\u0259rinin artmas\u0131 m\u00f6vzusunda f\u0259aliyy\u0259t g\u00f6st\u0259r\u0259n media qurumlar\u0131ndan […]<\/p>\n","protected":false},"author":1,"featured_media":755,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_themeisle_gutenberg_block_has_review":false,"footnotes":""},"categories":[45],"tags":[32,27,34],"_links":{"self":[{"href":"https:\/\/misp-az.org\/index.php\/wp-json\/wp\/v2\/posts\/750"}],"collection":[{"href":"https:\/\/misp-az.org\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/misp-az.org\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/misp-az.org\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/misp-az.org\/index.php\/wp-json\/wp\/v2\/comments?post=750"}],"version-history":[{"count":10,"href":"https:\/\/misp-az.org\/index.php\/wp-json\/wp\/v2\/posts\/750\/revisions"}],"predecessor-version":[{"id":771,"href":"https:\/\/misp-az.org\/index.php\/wp-json\/wp\/v2\/posts\/750\/revisions\/771"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/misp-az.org\/index.php\/wp-json\/wp\/v2\/media\/755"}],"wp:attachment":[{"href":"https:\/\/misp-az.org\/index.php\/wp-json\/wp\/v2\/media?parent=750"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/misp-az.org\/index.php\/wp-json\/wp\/v2\/categories?post=750"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/misp-az.org\/index.php\/wp-json\/wp\/v2\/tags?post=750"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}\n
Narrativ analiz<\/strong><\/h4>\n\n\n\n
M\u00fchacir yana\u015fmas\u0131<\/strong><\/em><\/h6>\n\n\n\n
Kimlik problemi<\/em><\/strong><\/h6>\n\n\n\n
M\u0259cburi k\u00f6\u00e7k\u00fcn v\u0259 s\u0259rh\u0259dyan\u0131 \u0259razi sakinl\u0259ri<\/em><\/strong><\/h6>\n\n\n\n
Kollektiv travmalar<\/em><\/strong><\/h6>\n\n\n\n
N\u0259tic\u0259<\/strong><\/h4>\n\n\n\n
\n